memoir
I want
someone
who swallows their voice,
turns away rather than heating their face –
anything not to awaken the reminder
all screams come from my father’s throat.
Thursday, December 30, 2004
Wednesday, December 29, 2004
poem : paper walls
Ya Vez and I broke up at the same time of the tsunami in Asia - we both agreed it seemed the world was ending
paper walls
how the hand can reach into another room
palm against the textured wall
some hands aren’t as telepathic
feel no trigger of heat
during the pacing of floorboards
the cadence of vibrations toward the walls
one finger is damaged in making a phone call
and another still able to point out
the bad word used in place of please
damaged the tendons of the palm
the structure of the house
when a country on the other side of the world collapses
paper walls
how the hand can reach into another room
palm against the textured wall
some hands aren’t as telepathic
feel no trigger of heat
during the pacing of floorboards
the cadence of vibrations toward the walls
one finger is damaged in making a phone call
and another still able to point out
the bad word used in place of please
damaged the tendons of the palm
the structure of the house
when a country on the other side of the world collapses
Monday, December 06, 2004
poem : curve
This is the last poem I wrote before the divorce...
curve
a scientist plotted the literary lives of the greats: Shakespeare, Poe,
Dickinson claiming they lived long past the height of their work,
charting all major publications and significant events to form
exacting arcs
other charts, like Wilde’s, offered the loss of early death,
suggesting a missing “great work” that never would be
I wonder where the strength of my arch lies now,
and why that path, for some scientist, cannot include
the day I heard the drums for Santa Barbara,
the night I really wanted to give my body away,
the evening I saw that one, across the room,
and knew
I reached
the first promised point
on that arc no one can dare chart
curve
a scientist plotted the literary lives of the greats: Shakespeare, Poe,
Dickinson claiming they lived long past the height of their work,
charting all major publications and significant events to form
exacting arcs
other charts, like Wilde’s, offered the loss of early death,
suggesting a missing “great work” that never would be
I wonder where the strength of my arch lies now,
and why that path, for some scientist, cannot include
the day I heard the drums for Santa Barbara,
the night I really wanted to give my body away,
the evening I saw that one, across the room,
and knew
I reached
the first promised point
on that arc no one can dare chart
Thursday, December 02, 2004
poem : easy enough
the beginning of the end...
easy enough
for Ya Vez's memory of Mercedes, who wasn't conquered/who did see and left
even now I know
you are not over your first lover
mujer
you say
when I go
I don’t come back
to the house I’ve burned
you carry your denial so strong
the stop light gets your frustration
turns to green go already
it’s easy to close the door on an ashed over house
when it’s you who’d had enough of the flame
but it wasn’t – she took your matches
and missing don’t mean
the phone has to ring
or the words are lost
during a bump-in-to while going groceries
missing
is that if any old salsa song came on
and she happened to be in the same room
you knowing you’d dance toward her,
be all offering
you deny my belief in the it-could-happen
but that sudden cold shoulder you give
talks more than you ever cared to
easy enough
for Ya Vez's memory of Mercedes, who wasn't conquered/who did see and left
even now I know
you are not over your first lover
mujer
you say
when I go
I don’t come back
to the house I’ve burned
you carry your denial so strong
the stop light gets your frustration
turns to green go already
it’s easy to close the door on an ashed over house
when it’s you who’d had enough of the flame
but it wasn’t – she took your matches
and missing don’t mean
the phone has to ring
or the words are lost
during a bump-in-to while going groceries
missing
is that if any old salsa song came on
and she happened to be in the same room
you knowing you’d dance toward her,
be all offering
you deny my belief in the it-could-happen
but that sudden cold shoulder you give
talks more than you ever cared to
Tuesday, November 09, 2004
poem : arms
arms
a ghazal
people say our stories are sticky, restless arms
careful when placing them in the crook of our arms
like notes found in a back pocket, the creases
never undone : that first lover forever forming our arms
the plants don’t repot themselves, need the directive:
knees to the ground, the world of roots resting in arms
sacks of potatoes, plastic bags full of rice and bread
stuffers between pay checks, how we hold our arms
the war rages on, despite declared victory
why must our young work around menacing arms?
poor-sighted sleepwalkers move their glasses to other
places, leave the task of searching to sightful arms
small pillows on the sleeves of skin that are her arms
she holds memory like a nighttime rain, in her arms
a ghazal
people say our stories are sticky, restless arms
careful when placing them in the crook of our arms
like notes found in a back pocket, the creases
never undone : that first lover forever forming our arms
the plants don’t repot themselves, need the directive:
knees to the ground, the world of roots resting in arms
sacks of potatoes, plastic bags full of rice and bread
stuffers between pay checks, how we hold our arms
the war rages on, despite declared victory
why must our young work around menacing arms?
poor-sighted sleepwalkers move their glasses to other
places, leave the task of searching to sightful arms
small pillows on the sleeves of skin that are her arms
she holds memory like a nighttime rain, in her arms
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